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萨乐_-美

萨乐_-美

年份1923
地区美国
语言其它
状态更新HD中字
导演:查尔斯·布莱恩特,艾拉·娜兹莫娃
演员:艾拉·娜兹莫娃

剧情简介

Salomé (1923), a < s;:😗il' "e🤐😃🤪nt film direc$ =t🤒;e\😀d by Charle_?😏`s 🙂\😗🤣Brya🙄nt and 🤔[😄starring Alla 🤢😂%Nazimova😚😁😴, is 🤫😅_😀a film😪😋😄 ad:(apt🤨_😪🤐ation of%😴 the O😋scar 😍🙃&🤥 W😒🤪ilde 😍😒😒play/?😏& of the 😊🤗s😚`"😑ame%🤪: na🤐😴🥰🤭me. The p🤔😷lay itself is a loose ?!retelling of t😜😍]🤢h@ 😔e biblical story of King Herod a&;+nd his ex😊😍🤣+ecution of J*🤔🤗o+>😬😬hn the 😉 😋Baptist (@ 🤣😇(h🙂😒!e🤣🤐re, as in Wild,🤤🤩🤗e's pl`😉\😂😆a😄😗😊🤩y, called Jokaa🤤]😑😑nan)🙂^😀 a😴😁😌t the request of$ his stepdau🙂🤕gh[[`ter, Salomé, who]😄 😪m 🤕😬he lusts a😗;😌😆fter.😏  Sal😜🤔😚'😘omé🤪😐😉 is_/ 🥰😷o>:🤤😚ften call😔ed ^one of🤨😀🤪 the first art fi😑😑 l?ms to be =🙃🙃made in the U.S.[c😌itat:😝😉😘ion needed] )😍😇Th-🙃e hi:😅😔ghly styliz🤗🤕ed c😜 😃🤫 ostumes 😬, exaggerated acting (even🤗^ for😙😏😘😗- the peri`😉od)🤤😁;😪, mini😀🙃=mal sets, and absence of😷😁 all but\🤭 th^🙃e most necessary*] props make😚]🤔 for a😊🤤 s*>creen 😆-😏(^image muc😷 h more ^/focus😚_🤐:`ed on 🤨🤪🤐/atmo😘🤤😂🤫😔s<😷;😉phere and o😍😚n convey)!ing a sen😜😉😍😃se 😂😑 of the ch🤨>aracters' i🤭 ndividu<🤭al heig!htened de🤩🤒sires tha(:🤒n [😂🥰#on`-(` convention😃'al plo😀';t dev🤭😚🤑$😍elopment.  Despite t😶🤨😚h -e🥰🤤😄🤤 film being on🤭:%😏ly😇😚 >@a li\🙄ttle ov🙂😪er an hour i🙄n,😘 length an😗!😊d havi😄/-ng no re😴😚al ac.🤢tion $t%%o s* peak of&😷😷, it cost over $35😌0🥰:,000🤔🤭🤕😛 to m😍😒ake. All the set\🤫😬s were constructe🤮🙂🤑d 🤨@indoo;rs to be%\🤢 a🤩😊,ble🤥😶 to h😘ave complete &😊<control ov]😜er 😑🥰🤒😔th🙄😍e li&😘🤕ghting. The film was =🤒shot completely🤐"🙄😀 🤤in🤔🤔 black and white, m😃😄atch😄🤤😃🤒i😍🤗ng the'🤮" il/😛lust😂😒 😪ra🤥$😜tio+😐ns do🤗😂^$=ne by Aubrey>😐 _= Beardsley 😉😌😚😉in the printed ed😔>😒ition 🤐.of Wilde's 😑' play. @🤣T😑)😚he😘= costumes, d*😋es ,😙 igne",>'d by Nata😂😜🤩cha Ra😊mb🤨😪ova, used mat😛😅er🤤:🤮ial only🤤 from Maison Lewis of Paris🤢🤐, such as t😊🤩he real 😆🤭😑😛)silver lamé loi😛@nclo-😇=ths worn>😊 b😋y t😪/-he🤐 guards😄😪😇?😝.  No major😋_😃🤔, s`😛tudio would be😑 asso$\🙃c😬)iated with the fi😐😄l🤪😂)m, and it was years after i🙄😍🙂ts comp😄🥰🙂😌letion b😔😚`efore it ,w🤕🤤a+🤥)s released😒😛😃😀, by🤣🤑 a mino🤔😄🤑=r indepen😚😪$😛$dent😊% 🤮😄=😆>distributor. It ;🤑😅😘was 🤮🙂 a complet)e 😷failure at%😁 th🤒/🤪e ti`me 😊=a🤕🤭nd 😶; mark😏😅😊😚ed the en😜🤪d+ of Nazimova's prod😊ucing 😂career.😂&😷🤩  A🙃😚 l'😘😏ong &😋(sta😇🤤😬😊^nding 😃rumor😇 🤢, w 🤭😜,hich&😊 seem😋#😑😍s😆/ to have 🤥🤨started while the fi😙lm was😶 still in 🤤!productio%;😏n, suggests th😶😷😃a].😴$t its ca#😌🤨#st is com🤭😝prised en:^[ti😔 😚🤮rely of😙😋😆 g🤪,ay and bisexual;- act)ors in an homa😔🙄ge to O😑😒scar Wil😅🤣de, as😇>😇😇 per s😋>🙃🤣:tar]😚 😴`and produce😌r N😜:azimova's demand!'. It is, of course[🤫, i'#mpossible to sa,!)y, but one of the extras in Salomé reported that a number of th😊+🤨[e &:c?😑#ast memb😙#🤑$er>)🤮s🤪😃—both fe🤩🥰🤥atured and extras—we@😴re @😃inde😑🤤🤥ed g😂%a😂😜y,🙃😇🤮] but not -)_😍an😷🤮🤒 unus 😔🙃😶ua🤤\🤑l percenta🤪ge of 🥰🤥 t😷he)_!m, and certainly n😏🤩ot a;🤩😇#ll😄🤨` of #🤩t"'😑_hem.😏🤒 "+What: 🙄 can😬😷 be?😝 said is tha🤨%[t😔 Nazimov😚%a 😄&😏herse😇🤮🤣\lf was^🤪😋] a 😙lesbian🤤😀🥰, t"_🤪]he \two _$guard #,(🙂chara😪ct😁er$\/'s😅"` (who, next t😉%o S😬🤨)/al😷omé, hav🙄# e the 🤑\most s^🤪+cree😍😆n t/i🤒🤔!me) are at🤗🤗' "😋🤔😋lea,😄🙂st pl🤔@ayed v$😔+ery st😐%😀ereotypically ]😗gay,🙂\ an😘,d several 🤢=of th😑)😐e fema🤕😪😚[le court😏😌😷iers ar🤣🤪 e men in drag)😊.😐.  Salomé was sc😔?reen;🤤🤔ed in 19😐🤮89 at the 😀:🤤😚New*😷 Y😙😌o😷rk Inter&😂n😀ational Festiv😝al 🤢🤮😪!of^] _😆Lesbian🤩" 😊😇^an&d😍< Gay films /😋\#and/😬😔 in 19😛😀😃90😴 at t🤩😇😑😛he🤐*<[ New York Gay  E😁/🙂x😄perimental 😔😑Film🤣@🤗 Fe😁@`stival😇🤫🤤.![🤭 ( In 200$😑0 ^, the United S😇-tates😉 Li/?brar😊🤗`🤤y of😑🤑 C🤤😴😪o😗:😅 n🤤🤤gr😗🤐e😃🙂ss deemed&😬🤨 the film = cul🥰😌=turally signifi+_🤗c 🤮ant🤗🤪 and;\ se!🤣🤭lected 🤔it for preservation in th🙂$e Nation 🤗😃>al:😂- Fi🤮😇lm[😅🤣 Regist🤨🤔'ry.

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