้ฆ–้กต/科幻片/造物๐Ÿคฎ๐Ÿ™ƒ!的奇迹
造物๐Ÿคฎ๐Ÿ™ƒ!的奇迹

造物๐Ÿคฎ๐Ÿ™ƒ!的奇迹

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ๅฏผๆผ”๏ผšHanns,Walter,Kornblum
ๆผ”ๅ‘˜๏ผšMargarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

ๅ‰งๆƒ…็ฎ€ไป‹

Wunder der Sc๐Ÿค‘)h?p:๐Ÿ˜˜fung is an extrao,๐Ÿ˜‡๐Ÿ˜ถ๐Ÿคค๐Ÿ˜‹rd/^๐Ÿคฃinary,<๐Ÿ˜ƒ  f-\ascinating๐Ÿ˜œ๐Ÿค•๐Ÿ˜Š@ Kulturfil๐Ÿ˜๐Ÿ˜m trying๐Ÿ˜‚๐Ÿค‘ to ๐Ÿ˜„expla>๐Ÿ˜ฌ๐Ÿคจin t๐Ÿ˜…$he wh๐Ÿฅฐ๐Ÿคจole hu ๐Ÿ˜…man :knowledg(#e of the 1*๐Ÿ˜„๐Ÿคค.920s about%@๐Ÿ˜‡` $๐Ÿ˜the world ๐Ÿ˜‹]and the unive๐Ÿ˜๐Ÿ˜™๐Ÿค”r๐Ÿคซ๐Ÿ˜&se. 15 ๐Ÿคฅ?๐Ÿ˜…special๐Ÿ˜…_. effects experts and 9 camera๐Ÿ™„men were in]๐Ÿคค?๐Ÿคขvolve/๐Ÿ˜ท<d in the producti]๐Ÿ˜‡๐Ÿค’'on ๐Ÿคฃ๐Ÿ˜Œ+๐Ÿ˜ดof thi`+s (๐Ÿคญ๐Ÿ˜’%๐Ÿฅฐfi๐Ÿ˜_๐Ÿคซlm wh ๐Ÿ˜ich combine# /s docume๐Ÿคฃ๐Ÿค• ntary s@=๐Ÿ™‚cenes, his๐Ÿ˜๐Ÿค—tor๐Ÿค”๐Ÿ˜‚๐Ÿคฃ%๐Ÿค’ical ๐Ÿคจ_documents, ๐Ÿ˜ถ๐Ÿ˜‡fiction elements, animation sc๐Ÿ˜ดenes and educat ๐Ÿค”ional i!๐Ÿคขmpact. It its beaut;๐Ÿ˜‘if๐Ÿ™„๐Ÿ˜๐Ÿ™‚ully๐Ÿ˜—๐Ÿค/ color๐Ÿ˜‡[๐Ÿค’]#ed, using tinting a๐Ÿ˜ƒ\nd tonin๐Ÿ˜›๐Ÿ˜€๐Ÿ˜œg in a ๐Ÿค’๐Ÿ™‚+๐Ÿ™ƒvery elaborated way. So[๐Ÿ˜˜_>m/๐Ÿคe visual ideas in๐Ÿ˜Œ the sequences w_๐Ÿ˜๐Ÿ˜šit๐Ÿ˜ท๐Ÿ˜ด๐Ÿคฉ๐Ÿ˜ƒh" a sp๐Ÿ˜„>a๐Ÿ˜‚@ce s๐Ÿคฃ๐Ÿค—$huttle visit๐Ÿ˜ถ>๐Ÿ˜ช๐Ÿค•ing different ๐Ÿคฉ$<planets ๐Ÿ˜…๐Ÿ˜˜in the unive๐Ÿคฉ(?rse se๐Ÿ™‚ em>๐Ÿ˜‘ to hav,e t,๐Ÿ˜:o be the insp?iration f&^o๐Ÿ˜‰#>r St#$๐Ÿคชanley Kubrick๐Ÿ˜Š_๐Ÿ˜—'s 200&"1 A๐Ÿ˜Š๐Ÿค• Spa๐Ÿค—๐Ÿ˜ชce Odys:@_๐Ÿ˜™sey.ใ€€๐Ÿ˜…ใ€€In th๐Ÿ˜˜e con,๐Ÿ˜„text .๐Ÿ˜† of^ Ger๐Ÿ˜Œ๐Ÿ˜ ๐Ÿคข many's Kult&๐Ÿ˜†๐Ÿค—?urfil๐Ÿค”๐Ÿ˜œ๐Ÿ˜‚m ph๐Ÿ˜Š๐Ÿค•(eno"๐Ÿ˜ท๐Ÿ˜™menon, Wunder de๐Ÿ˜ท<๐Ÿ˜€r Sch?pfung .;:was a/๐Ÿค๐Ÿ™‚#,mo๐Ÿค•\๐Ÿ˜Œng ๐Ÿ˜œ๐Ÿ˜ฌ(the greatest achie๐Ÿ˜ฌ๐Ÿค๐Ÿ˜„/ve๐Ÿคฎ๐Ÿ˜men๐Ÿคญ๐Ÿ˜˜ts of the 1920๐Ÿ˜š&s๐Ÿ˜†๐Ÿ˜Œ๐Ÿ˜ƒ๐Ÿ˜”. Th๐Ÿ™‚๐Ÿ™‚๐Ÿ™ƒe pro&=๐Ÿคขd๐Ÿคข๐Ÿ˜”uctio๐Ÿ™ƒ๐Ÿ˜ด๐Ÿ˜€๐Ÿค‘๐Ÿ˜ชn was co#๐Ÿ˜๐Ÿ˜ดnstructed, ๐Ÿค”\<>r"ehear๐Ÿ˜‹_sed, ๐Ÿ˜ถ๐Ÿคญan)๐Ÿ˜ท๐Ÿคจd sh๐Ÿ™‚๐Ÿ˜‚/ot over a peri๐Ÿ˜<od of๐Ÿคข๐Ÿคญ๐Ÿคฎ๐Ÿ˜ƒ two and a half years,๐Ÿค‘๐Ÿค— unde๐Ÿ˜‘๐Ÿคจr the superv?๐Ÿ˜๐Ÿ™„is๐Ÿ™„ion of H[an๐Ÿค’ns #๐Ÿ˜›W&,๐Ÿ˜ถalter"๐Ÿคฃ! K๐Ÿคฎ๐Ÿ˜šor_๐Ÿคฉ๐Ÿ˜’๐Ÿ˜‘nblu๐Ÿคช@๐Ÿ˜Š๐Ÿ˜ถm./๐Ÿ˜„๐Ÿค‘! ๐Ÿค‘๐Ÿ˜ŒT๐Ÿ˜ƒ๐Ÿ˜Š๐Ÿ˜Œhe=! idea to describe the unive๐Ÿ˜‡๐Ÿ˜Š<rse and man's๐Ÿ˜‰-" p๐Ÿ˜๐Ÿ˜’)๐Ÿค”lace in it we[๐Ÿ˜ƒll su.๐Ÿฅฐ=it' ed UFA's Gro&๐Ÿ™‚๐Ÿ˜›๐Ÿ˜s๐Ÿ˜€๐Ÿคฅsfilm men๐Ÿ˜ƒ@๐Ÿ˜ƒ๐Ÿคฎtal๐Ÿ˜›]๐Ÿ˜ity, one y๐Ÿคฃ๐Ÿ˜Š_ear before th'*]e Metropolis cata๐Ÿ˜Š๐Ÿ˜˜๐Ÿคคs๐Ÿ˜‚๐Ÿ˜’๐Ÿ˜˜๐Ÿ™‚๐Ÿ˜†t[๐Ÿ˜œ๐Ÿ˜๐Ÿ˜›rophe. Hundre& =๐Ÿคฉds o$(๐Ÿ˜›f skilled c=@ raftsm๐Ÿค•e๐Ÿ˜/๐Ÿ˜‹n participated๐Ÿ˜œ`๐Ÿ˜† ๐Ÿคฉ๐Ÿ˜ดin the _๐Ÿ˜Œpr๐Ÿ˜๐Ÿ˜™๐Ÿ˜ถoject,$๐Ÿ˜ถ bui+๐Ÿ™„๐Ÿค—ld๐Ÿ˜๐Ÿ˜in(๐Ÿ˜ท๐Ÿค•.g pr( ๐Ÿ˜ฌops and๐Ÿ˜‡๐Ÿ˜’" co<nstructing scale models๐Ÿ˜„  drawn by ๐Ÿ˜€๐Ÿ˜œ>15 speci๐Ÿค”๐Ÿ˜a๐Ÿค—๐Ÿ˜‰$l effec๐Ÿ˜œ๐Ÿค•ts d๐Ÿค”๐Ÿ˜”raughtsmen, while ๐Ÿ˜š๐Ÿ˜—๐Ÿ˜‹9 came๐Ÿ˜‡๐Ÿ˜’@r๐Ÿ˜†๐Ÿ˜amen in sep๐Ÿคฎ๐Ÿ˜ƒ๐Ÿ˜arate units ๐Ÿ˜„๐Ÿค—%?worked on the hist๐Ÿ˜›or๐Ÿ˜ช$๐Ÿ˜Œica๐Ÿ˜๐Ÿ˜š๐Ÿ˜™l, doc>๐Ÿ˜™๐Ÿ˜Šumentary, fiction๐Ÿฅฐ, animation, and s*@cience-fiction sequenc๐Ÿ˜’@%e๐Ÿคฎ"๐Ÿคค -s. W'๐Ÿ™‚itho๐Ÿ˜Š๐Ÿคขut star roles or even p-๐Ÿคซ๐Ÿ˜Š\"r%\*๐Ÿ˜ถ:otago๐Ÿ˜‡๐Ÿค•n๐Ÿ˜˜&๐Ÿคจ&ists, t๐Ÿคฅ?๐Ÿ˜™๐Ÿ˜šhe f๐Ÿค‘;"i\๐Ÿค—lm's plot๐Ÿ˜™= is cro๐Ÿคค w("*d&ed with ๐Ÿ˜œmet๐Ÿ˜˜๐Ÿ˜„๐Ÿคขiculously;^๐Ÿ˜…๐Ÿ˜€ struc๐Ÿ˜‡'๐Ÿ˜ชt๐Ÿคญured and skil๐Ÿ˜:<,๐Ÿ˜œlf๐Ÿค—-๐Ÿค”ully act๐Ÿ˜๐Ÿ˜๐Ÿ˜๐Ÿ˜”ed single sce%;๐Ÿคฅnes๐Ÿ˜›๐Ÿ˜ถ๐Ÿ˜‹ an artf๐Ÿ˜\!๐Ÿ˜›๐Ÿ˜—ul๐Ÿ™‚๐Ÿ˜œ๐Ÿค‘\ mosaic#๐Ÿ˜„๐Ÿ˜_ ๐Ÿ˜˜๐Ÿ˜‚o๐Ÿคฎ@๐Ÿ˜€f smal)๐Ÿคฉ,l vign("#๐Ÿคฎette๐Ÿ˜‚^ s.๐Ÿ˜œ๐Ÿ˜ช ๐Ÿ˜ด๐Ÿ˜Š No less than four c๐Ÿ˜‡>redit๐Ÿ˜„ed unive๐Ÿ˜€rs๐Ÿ˜”]'ity pr+๐Ÿคคof:๐Ÿ™‚๐Ÿคes))so๐Ÿ˜”๐Ÿ˜ท๐Ÿค•rs e๐Ÿ˜„๐Ÿคฎ๐Ÿ˜ƒn๐Ÿ˜‘๐Ÿ˜ชsured t[,๐Ÿฅฐhe factual ba<๐Ÿคช ckgr๐Ÿ˜‹;๐Ÿ˜ฌo๐Ÿ˜„un@d behind๐Ÿคฃ๐Ÿค’? the sc๐Ÿ˜ฌ\๐Ÿ˜—๐Ÿค—i๐Ÿฅฐ๐Ÿคจ"๐Ÿ˜ท#entific <#๐Ÿ™‚and h๐Ÿ˜™๐Ÿค•`istori๐Ÿคญ];cal e๐Ÿ˜๐Ÿ˜”) vents portrayed*/๐Ÿค”..ใ€€๐Ÿคซ๐Ÿคขใ€€T๐Ÿ˜Œ๐Ÿ˜ดhe film๐Ÿค”๐Ÿ˜'s#] sy๐Ÿ˜๐Ÿ˜—๐Ÿ˜„mb๐Ÿ˜—ol o๐Ÿค]]f progres%๐Ÿ˜‡s๐Ÿ˜‘" an๐Ÿคค๐Ÿ˜‹๐Ÿ˜šd t#he new scientifi-^c era is a spacecraf๐Ÿ™„,t, travelling th๐Ÿค’rough t[&$he M/&=il๐Ÿ™‚\ ky ๐Ÿ˜ƒ๐Ÿ˜ท_Way๐Ÿคจ_,๐Ÿ™‚๐Ÿค m๐Ÿ™ƒ๐Ÿ˜ด:๐Ÿ˜—a<>๐Ÿคชk]%๐Ÿคค>ing al>๐Ÿ˜ƒ๐Ÿคฃl ๐Ÿ˜ด๐Ÿคจ๐Ÿ˜ƒt๐Ÿ˜™((he pl>๐Ÿคญanets and the๐Ÿ˜ชir ins๐Ÿ˜Œ๐Ÿ˜œpiring w]๐Ÿ˜†orld๐Ÿ˜…๐Ÿ˜†$s fami`liar to us, with the extravaganza of -๐Ÿ˜Št#๐Ÿ˜ดh^๐Ÿคซ<eir ๐Ÿ™‚๐Ÿ˜ƒdistinc๐Ÿฅฐtive`๐Ÿคฅ fe๐Ÿ˜š๐Ÿ˜ถ๐Ÿ˜…๐Ÿ˜˜at๐Ÿ˜„๐Ÿ˜Šures. ๐Ÿ˜๐Ÿค’๐Ÿคฉ๐Ÿ˜‚The film's educ-_at:*๐Ÿ˜ถ๐Ÿ˜Œi๐Ÿ˜‹๐Ÿ˜ƒonal"๐Ÿ˜๐Ÿ˜๐Ÿ˜ in]]#๐Ÿ˜ฌtention,๐Ÿค•๐Ÿ˜s, however๐Ÿคญ๐Ÿ˜ด๐Ÿ˜,๐Ÿค• become s*'๐Ÿ˜๐Ÿ˜Šteadi๐Ÿคจ'ly more๐Ÿ™„๐Ÿ˜๐Ÿ˜—๐Ÿค‘ obscu.re, hu๐Ÿ˜‰๐Ÿ˜†-morous, or< even campy a`^๐Ÿค•s this populari>๐Ÿคค๐Ÿคญz๐Ÿ˜_ation) proj๐Ÿ™ƒ๐Ÿ˜”๐Ÿคฅe๐Ÿ˜’๐Ÿ˜‡๐Ÿ˜ct ๐Ÿคฉ*p.ro๐Ÿ˜ƒ๐Ÿคขceeds. With๐Ÿคฅ๐Ÿ™„ the excuse of presentin๐Ÿ™ƒ/g the end of๐Ÿ˜ท"> the world a ๐Ÿ˜ฌ&n@ot-so๐Ÿค—๐Ÿ˜™,-ne๐Ÿคช๐Ÿ˜ช๐Ÿคญ๐Ÿคฃ๐Ÿคชw conce๐Ÿ˜’๐Ÿ˜šp๐Ÿ˜—๐Ÿ˜‚t as a new, ๐Ÿ™„๐Ÿคฃ<๐Ÿ˜un๐Ÿ˜Œ๐Ÿ™‚๐Ÿคญ๐Ÿค‘deniabl=๐Ÿคฎ๐Ÿ˜‚y scientific tr๐Ÿคช๐Ÿคญ๐Ÿคข๐Ÿ˜‘ut๐Ÿคช๐Ÿ˜‰*๐Ÿค•h, ๐Ÿ˜ช๐Ÿคญ> ๐Ÿ˜`๐Ÿค‘th๐Ÿคฅe film veer๐Ÿ˜„*๐Ÿ˜ƒ๐Ÿค‘s happ๐Ÿ˜‡๐Ÿค’%i๐Ÿ˜›๐Ÿ™„ly along ๐Ÿ˜.a new๐Ÿ˜ท๐Ÿ˜ด๐Ÿ˜… path, ๐Ÿค•/๐Ÿ˜„displ<๐Ÿ˜˜๐Ÿ˜”aying detailed;^ :๐Ÿคฎ๐Ÿ˜‚apocalyptic scenes๐Ÿ˜>๐Ÿ˜Œ ,๐Ÿค•of the๐Ÿ˜†] e๐Ÿคจ]nd๐Ÿค”]๐Ÿคฅ of mankind.๐Ÿ˜‹๐Ÿคซ= For๐Ÿ˜› to๐Ÿคฃ๐Ÿ˜ฌ)d๐Ÿ˜—`?๐Ÿคชay'@s-^๐Ÿ˜œ =a[ @udiences, this am๐Ÿ˜ƒ!azi๐Ÿ˜†๐Ÿคฎng ๐Ÿ˜™film demonstrat๐Ÿ˜‰๐Ÿคญ$๐Ÿคฃes ๐Ÿ˜’_=h<๐Ÿ™‚๐Ÿค—ow> the univ,ers:e was๐Ÿ˜—๐Ÿ˜ด๐Ÿ˜˜ ๐Ÿคจ๐Ÿ˜‘comprehe๐Ÿ˜š๐Ÿ˜†nded ๐Ÿค‘in= ๐Ÿ˜‚*the๐Ÿ˜’๐Ÿ˜˜- 1920s, and how that๐Ÿ˜š view wa-/s sold to ๐Ÿคข๐Ÿคฉ๐Ÿ˜‚`co:๐Ÿ˜œn\๐Ÿ˜…t๐Ÿ˜ฌ๐Ÿ˜ถ'empora๐Ÿค’๐Ÿ˜ทry ๐Ÿ˜™ audiences.

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